This is truly a testament which has been echoed by the likes of Royal Blood with their freight-train sound supporting the likes of the Arctic Monkeys and Foo Fighters, or the more niche duo of Death From Above 1979, spearheading a nontraditional and catchy series of tunes. This is all well and good, but these two aforementioned bands do have the odd issue; Royal Blood produces consistently good, heavy songs, but it's all very proper and mainstream. DFA1979 have a wider catalogue of material, but unfortunately they're just lacking something when it comes to live performances.
See, I told you so.
Neither of the two have much in the way of attitude either. None of the two really represent some form of garage-rooted punk rock. So, have a gander at Slaves.
The one thing you'll take on board if you listen to a Slaves tune, is the attitude, and the raw elements which create it. If Royal Blood support the Arctic Monkeys, Slaves would support the Sex Pistols, a comparison which has been frequently made. There's no glossy vocals or sharpened guitar effects, just an array of snarling and power chords which has been woefully underutilised recently.
So, the entire premise of Slaves sounds excellent. And just like Royal Blood over the past few years, they too have had a couple of cracking live sets on the B-stages of Glastonbury, Big Weekend and Latitude. So does it pay off for them?
I'd like to first rid this album of some withstanding criticism. A lot of people say that Slaves' albums are terrible, whereas their live performances are stellar. From what I've heard, and from listening to their earlier stuff, it seems that the duo have aptly addressed this issue. Of course, the album will only give you a glimpse of their intense live experience, but you can't exactly have them playing in the back of your car on the way to work all the time, unless you're incredibly well-off.
Have a listen to them live, and you'll know what I mean. I would try and avoid the comparison to the Sex Pistols again, but such a resemblance is certainly difficult to ignore, and I'm adamant that Slaves are one of very few bands to capture their snarling attitude on their album, a rare feat indeed. If you're after some modern day songs that will take you back to London Calling.
After a lengthy first EP, I'm hopeful that the pair have taken this new opportunity to develop their sound, just like The Vaccines have done with their latest album, or like DFA1979 did after a lengthy hiatus. I didn't really know what to expect from Are You Satisifed?, so I'm a bit torn on my overall opinion of the album. To me, it's what I expected from Jack White when he went solo, only with a tad more attitude, and well, not really like Jack White at all, come to think of it.
It's far from a revival of grunge and punk which fans have longed after. Arguably, the band don't fully represent that aspect of music culture. The music they produce could lead you to believe that their toxic facade runs deep, while in actual fact, it doesn't. Issac and Laurie aren't enraged anarchists, they're more just disappointed. They're two characters on a stage, taking the opportunity to get their message, (their loud and rallying message), out to the world.
So no, they're not the next punk sensation, but if anything I'd say they're representing a needed change in direction for punk and grime music. They're asking people to take action, and expressing their distaste in people not doing so. What's the point in writing songs to inspire people if they do nothing to build upon it?
So the album has a great message, and really feels like it wants to change, or point out the dull, self-pitying nature of modern yuppies, (see 'Cheer Up London'). Stop feeling sorry for yourself, and do something, a cracking message which is best shown in the aptly named 'Do Something'. Without going into detail, it's a song which has a great changing tune, but is backed with lyrics which I doubt could be better in this context. "No-one's gonna help you've got to do it for yourself," is the appropriate last line of the chorus, hitting the nail squarely on the head. But in some areas, the songs themselves do leave a bit to be desired. Take 'Ninety Nine', a song which is structurally and lyrically sound, I suppose. Unfortunately, the simplicity occasionally wears thin. The very simple riff, combined with the equally bare drum patterns do make such tracks forgettable, which is a shame.
But, in their inevitable upcoming singles, the duo do truly shine. 'Hey' is a cracking tune, which is simple, only with a lovely little riff and copious amounts of aggression. Granted, the anger in the song could be interpreted as cartoon-level violence, but it goes very, very well with the image that the band portrays. And when it's done live, this cartoon aggression passes on to the crowd in an event which is testament to the band's explosive energy.
'The Hunter' is a song about how we selfishly disregard the future of others through our own greed, as long as we're ahead. It's riff, just like 'Hey' remains the same throughout, but it can afford to do so, unlike 'Ninety Nine' or 'She Wants Me Now'. Some other songs are just great for how carefree, or how different they are, like 'Wow!!! 7AM' and the title-track 'Are You Satisifed?' respective.
If I was to do this by the stats, I'd say that nine of the thirteen tracks have made it onto a few various playlists of mine. The others may need a while to get into, just as with some tunes from Noel Gallagher's latest album, but for the moment, they're taking a back seat.
One track that caught me off guard, and is arguably my favourite from the album would be the title-track of the previous EP, 'Sugar Coated Bitter Truth'. It encompasses some secluded and delayed guitar notes before kicking into high gear.
It's like the characters of the band just went into full conspiracy mode, shouting about indoctrination in a woefully under appreciated track. The grand chorus is followed with a daunting line, "You can't run". I was left wondering where this song came from in an album which had otherwise been good, but nothing too spectacular.
It turns out that the final track was the tipping point for me, Are You Satisfied no longer needed to rely on the strengths of a few songs, it was now a solid album in its own right. But unfortunately, that's all it every escalated to, for me.
It's good, and the main group of songs, 'The Hunter', 'Cheer Up London', 'Hey' and 'Sockets' are certainly great, and more importantly, catchy by anyone's definition. It has a great message and conveys it well, an attribute which is very much overlooked in most modern albums.
The only problem, is that with the exception of those aforementioned songs, you have to look for, and appreciate what they've done. If you're the kind of lazy, whining individual, (like myself) which this album is targeting, you'll probably thinks it's alright, with hints of goodness laying within. If you're a punk album through and through, you'll be happy, but likely a bit unsatisfied. If you're willing to take these thirteen tracks for what they are, you'll most definitely find something you'll enjoy, even if you're not a fan of grime, punk, or the image that the band portray so well.